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The healing effect of Mozart

Del Blog Why Mozart?

People are always asking me what it is about Mozart's music that is healing or helpful. Why isn't Haydn's music as powerful, or Beethoven's or Schubert's? Actually, I believe that any great composer's music can be healing, keeping in mind our definition of healing. Remember that we define healing as "amelioration of symptoms." Healing is not synonomous with curing!

Starting back in the 1950's, a brilliant French ear, nose, and throat doctor and surgeon with a great love of music, starting treating many opera singers with various physical symptoms that prevented them from singing like they had. This man was Dr. Alfred Tomatis. One of his statements that was someone novel at the time was "the human voice cannot reproduce sounds that it cannot hear." Dr. Tomatis looked at hearing deficiencies that the patients exhibited and discovered that when the patients listened to Mozart's five violin concertos, in particular, that their hearing improved. Dr. Tomatis determined that these particular pieces of Mozart had the perfect range of pitches and the perfect timbre or tone color to heal the voice and the individual.

In the 1990's research was being conducted at the University of California at Irvine in which Mozart's Sonata in D Major for two pianos was being played for high school students about to take the SAT. In each trial, the students were divided into three groups. One group listened to their favorite pop music for 30 minutes before the test, one listened to nothing and one group listened to the Mozart piece. Repeatedly, the students who listened to the Mozart piece scored higher.

These two phenomena constributed to the idea of a "Mozart Effect." I personally believe that the media has greatly exaggerated the power of Mozart however I do believe that Mozart's music is healing, inspiring, beautiful, uplifting and amazing. Many people believe that Mozart was the greatest composer of all time because in his brief life, he was a master of every genre he attempted and he attempted all of the genres of his time: sonatas, symphonies, chamber music, opera, and choral music. If you haven't listened to any Mozart lately, treat yourself Some to tonight!


more links on the healing power of Mozart's music
http://healingmusicenterprises.com/
http://ezinearticles.com/?Music-and-Healing:--Why-Mozart?&id = 111442
http://www.healingmusic.org/library/Newsroom/MozartHitsSourNotes.asp

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action: "The digital world remake our relations with the world"

How do you think affect us new forms of social interaction across the network, such as the fact blogging or participate in a social network?
The fact blogging change your ways. What apparently happens to us all is to enter social networking as a mask but in reality this appearance that you want to adopt is one that transforms you. We are talking not about the person who enters a chat one day, but when you really get involved, for example a person who has a blog, a profile on a social network, especially if they are purposeful. Indeed, change is a path of return. Entries in cyberspace transform our reality and our own personality to the entries we're doing.
"adapt to reality?
not adapt in a way that we control the process, not that you wear and take off a mask, or how you adapt some shoes that squeeze, it seems to me that the thing is deeper. That act of drilling into a network that transforms the relationships you have with the world. The digital world remake our relations with the world. Now they are determined by physical presence, the embodiment and perception, but in reality it is only a part, many of the layers that make us as we are not linked to corporeality, such as imagination, be bitter , want to do something, or even the imagination of what it would be our life. These strata are the ones I think are more plastic to see how relationships through social networks transform us. Physically not know who is on the other side of the screen but obviously is acting on you, you're adaptándote to him or to unspecified persons or image of the people you're leading. This will reverse adaptation is changing in the extent to which you are reconfiguring your imaginary world to appear on that network. When you're writing a blog, I speak from my experience, grades, your writing, your way of interacting with the world, such as what you see, you're always thinking "this could be on the blog. You see the world in other categories (the categories that make you act in this way). Not that I write for me, writing to a potential reader. It is not passive. A teenager in Tuenti is very clear, a teenager is reshaping your body, it is life changing. If you previously had four people in question, before I wanted to present yourself well, "be the product (in children) or the best dressed (in girls) into the gender roles in which the teenagers come from Suddenly the fact that it is intervening in a network change their places of reference, change the ideals and 'I's reference to having to negotiate.
And then, where is the "I" authentic "?
no authentic self. Look, a teenager when he goes to a concert and immediately are thinking Tuenti write "like" or "not like", is doing two things: one, go to the concert, and two, thinking that then has to account that has gone to the concert and tell someone who may be interested in that. It changes the relationship with the action it is taking.

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Strauss Gala

Denia Mazzola Gavazzeni presented the concert WAGNER / STRAUSS Hotel Negresco in Nice, went on stage December 16, 2010.

preludes and presents scenes from the works:

Götterdämmerung,
Walkure, Tristan und Isolde
,
TANNHEUSER.

Capriccio
ARIADNE AUF NAXOS.

The concert was offered by Mrs. Mazzola Gavazzeni the Cercle Rive Droite Wagner Cote d'Azur, whose members - in turn - have given the collection of the evening
cultural works that are for soldiarietà
constant mission of ' Ab Harmoniae Onlus Association, chaired and moderated by Denia Mazzola Gavazzeni. Gigs have

participated, in addition to the soprano Denia Mazzola Gavazzeni, the level Yusif Eyvazov and pianist Demetrio Antonelli.


Richard Strauss - Capriccio - Denia Mazzola Gavazzeni

Dich Teura halle - Tannhäuser Richard Wagner - Denia Mazzola Gavazzeni

Trauermarsch - Starke Scheire schichtet mir dort - Götterdämmerung - Richard Wagner

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Vivaldi Wagner opens his tribute to the 150th anniversary of the Unification of Italy for Ab Harmoniae Onlus

To celebrate the 150th anniversary of the Unification of Italy,
Ab Harmoniae Onlus proposes Honors in Music
S. Source of Mary in Caravaggio - in its sixth edition-
a rare concert listening.

    interested in rediscovering the works and composers are often forgotten, the deal puts 
 Denia Mazzola Gavazzeni Antonio Vivaldi, the Venetian composer 
 otherwise remembered as the abbot red.  

  Vivaldi, Denia Mazzola proposes the execution of four of the most beautiful 
 motets which, composed between 1710 and 1730, were designed as 
 musical moments of prayer and praise in the liturgy of 
 S. Mass.  

  So if in 'Singing in  lawn, ride in monte'    (1720-30), the nightingale sings joyously 
 urging death to stand in praise of God, in the second motet 
 '  In    troubled sea angry '   (1720-30) to assist 
 melodramatic metaphor of a ship being tossed by winds 
 storm protection and supplication to the Divine Mother.  

  E 'in'  Longe mala Umbrian terrores'    (1720-30) solo 
 recognizes that the mercy and power of God in bearing with her 
 sins, despite the righteous anger they provoke in him. 
 Appealing to the forgiveness of Jesus, begs him to make her cry, 
 so the tears can feed your heart with joy.  

    In ' Nothing in mundo pax sincere   ' (1710-20) recognizes the soprano 
 to Jesus in the midst of the pain, the agony and bitterness of life, the only hope for true 
 peace can be found in Him    

  The Vivaldi Project, which is realized in collaboration with 
 the City and the Cathedral of Messina (to symbolize again 
 the homage Unit     Italy), will make use of items Elena Bakanova, Catherine 
 Borruso and Denia Mazzola Gavazzeni, 
 accompanied by 'The Celestial Instrumental Ensemble,  

  Oriana Concert Master of the Celestial.  

  In program at the Sanctuary of Caravaggio to the next 27.2 h 19.00.  

  be replicated on Easter Sunday in the Cathedral of Messina, 
 April 24 at 20:00.  

  Entry e'libero with offer.      

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Barcelona Opera Studio

Aimed at singers, choirs and pianists repertorist

vocal study workshop, technical and stage of the operas:

1. MAGIC FLUTE, ACT I, (2-8 may)
2. LA BOHEME, III and IV FRAMES (9-15 MAY)
3. L'Elisir d'Amore, Act I, (16-22 MAY)


singing teachers: Jaume Aragall, Raquel Pierotti, Stefano Palatchi, Civit

Angels Scene: Maria Elena Mexia

Piano: Ricardo Estrada


Conferences: JAUME TRIBO (master pointer) LERIN MIGUEL (actor), Damian Carbonell (art direction Gran Teatro del Liceo), FERNANDO SANS (Opera director Current) and XAVIER CHAVARRIA (musicologist). Registration deadline
maximum
April 8 - 50.00 €

Duration: 30 hours.

Price per course: Choir and pianist
€ 200.00
Singers: 450.00 €
Listeners 1 day or conference: 20.00 €

Auditions April 15
Course recognized by the Government as a teacher training course.

Students who wish to attend more than one course of Opera Studio will have a 10% discount.

Coordinator: Ricardo Estrada
More information: restrada73@hotmail.com

Place: A Tempo, Estudis Musicals
C / Lluçà n º 56 Tel: 93 491 17 81

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The New Consciousness: Eckhart Tolle Conference

"The New Consciousness: Eckhart Tolle Conference in Barcelona in November 2007 on the nature of mind and the Power of Now. Eckhart Tolle is the author of the famous international bestseller "The Power of Now." A deep and exceptionally clearer conference in a perfect Castilian, a be simple and wise.



Tolle claims to have experienced a spiritual awakening at age 29 after suffering long periods of depression. His essay The Power of Now emphasizes the importance of being aware of this time to not get lost in thoughts. In his view, This is the gateway to a heightened sense of peace. States that "Be Now" carries a consciousness that is beyond the mind, a conscience that helps transcend the "pain body" that is created by identification with the mind and ego. His latest book A New Earth, now explores the structure of the human ego and how this acts to distract people from their present experience in the world. He has also written The Silence speech and Practicing the Power of Now.

Tolle is not aligned with any particular religion or tradition. However, in the book Dialogues with Emerging Spiritual Teachers by John W. Parker, [2] has recognized a strong Tolle connection with Jiddu Krishnamurti and Ramana Maharshi and stated that his teachings are a synthesis of the teachings of these two masters. It also maintains that listening and talking to the spiritual teacher Barry Long, [3] understood things more deeply. The influences that are referenced in The Power of Now are the writings of Meister Eckhart, Advaita Vedanta, A Course in Miracles, Sufism and Rumi's poetry and the Rinzai school of Zen Buddhism book also interprets phrases of Jesus contained in the Bible. Within the spiritual and intellectual community there are numerous critics of his work, see in it a copy of the great books written by the great spiritual teachers.

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Jessye Norman, a recognition that VOZ tenor Madrid


A brilliant singer, intelligent, cultured and passionate drama.
I have not yet given enough importance and recognition in the world to this great singer. Voice
prodigious as rarely before in the history of opera, soprano, mezzo and alto!
Early in his career he was nicknamed Enormous Just for her powerful voice and commanding presence. Sing
Wagner, and Berlioz, like Berg, Schoenberg, and spirituals and pop songs. And everything is good and wasting voice.

born into a family of amateur musicians, his mother was a pianist, his father sang in a local choir. Jessye Norman attended Elementary School Charles T. Walker, the institute AR Johnson Junior High School, and Lucy C. Laney Senior High School, all in Augusta.

Norman received a scholarship to Howard University, graduating in 1967 with a degree in music, and the University of Michigan with a "Masters Degree" in 1968. The following year, he won the ARD International Music Competition in Munich.

made his operatic debut in 1969 as Elisabeth in Tannhäuser by Richard Wagner at the Staatsoper Berlin, and in subsequent years performed with various opera companies in Germany and Italy where she sang Aida, The African Giacomo Meyerbeer, and Mozart operas and Haydn.

returned to the United States for its debut concert at Lincoln Center in 1973.

made a sensational debut in 1983 at the Metropolitan Opera in Berlioz's Les Troyens in a production that marked the season of 100. Th anniversary of the company.

In the next decade was followed by major additions to their repertoire as Sieglinde in The Valkyrie, Ariadne auf Naxos, Madame Lidoine in Poulenc's Dialogues des Carmelites, the Judith in Bartok's Bluebeard, Schoenberg's Erwartung but never sang in Tristan and Isolde scene, his version of Death of Love (Liebestod) has been a classic in his performances with orchestra.

In works of Berlioz, Wagner and lieder by Strauss, was a particularly remembering his reading of the Wesendonck Lieder and the Four Last Songs.

addition to his operatic performances, is a distinguished recitalist in lieder and spiritual.

collaborates with other artists: Norman premiered the song cycle woman.life.song of composer Judith Weir, a work commissioned for her by Carnegie Hall, with texts by Toni Morrison, Maya Angelou and Clarissa Pinkola Estes, played a selection of sacred music of Duke Ellington, recorded an album of jazz, Jessye Norman Sings Michel Legrand and appeared in the draft entitled Mythodea Vangelis.

In 1997 he was younger personality to receive the award at the Kennedy Center.

In 1984 he was awarded the Legion of Honor from the French government.

received the 2006 Lifetime Achievement Award from the Academy Major (The Recording Academy) and Honorary Ambassador of the United Nations.

His hometown, Augusta, Georgia, dedicated an amphitheater along the river in the early 1990's.

Mayor of Pasadena, California, after the September 22 concert in the "Blair IB Magnet High School, declared that day as" Jessye Norman Day in Pasadena.

has been asked to sing at public events and ceremonies. Among them, the presidential inaugurations of 1985 and 1997, 60. Th birthday of Queen Elizabeth II, and the celebration of the bicentennial of the French Revolution in Paris Place de la Concorde, in which she sang La Marseillaise [1] dressed the colors of the French flag, created by designer Jean-Paul Goude.

Green Comming From Eye

Placi

Who coined the phrase: "From Madrid to heaven", say that in the eighteenth century, no author should probably never could have imagined the day came when a guy born on the streets of Ibiza fulfill the slogan. Plácido Domingo embodies that spirit better than anyone. The celebrated 70 years on Friday surrounded by his age Friends, family, at the Theatre Royal have served throughout the week that was put into proper perspective legend.

Placido Domingo is seduced by what is left out of the headlines

But beyond appalling figures, their obsession with breaking records and putting spades in Flanders Domingo is seduced by what is left out of the headlines. Away from its historical records, with 130 papers burying the categories and pigeonholes in all the tessitura, its more than 3,000 performances, its landmarks, its minutes of applause, his round the world and its overwhelming energy destroys brands, their awards, their awards. Away from Superman and the fan-or near-is a touch that makes us his presence, that devotion to the stage, the fiercely dramatic, unbridled passion for touching the heart of every one of us when he sees, hears, he enjoys .
more than 10 years ago, when he was around 60 and it seemed to have done everything, journalists, moronic, and asked them about their retreat. It was the logical if we look to understand the physical limits of any human being. But is that Placido is not any human being. Over the years we have understood that not only useless but also an unforgivable lack of respect, inexcusable blindness insist, as some still do. Not only many of those who demanded it be withdrawn before the period Plácido scenarios, but the best will be crossing their fingers and ask the sky, the sky of Madrid, to hold, to continue to give us these fascinating lessons of heterodoxy. Because
see the end of his career to get into baritone is above all a holy show of risk and breaking molds only possible in an artist of their dimensions. How will sing Plácido Simon Boccanerga, how it will play Rigoletto? And why not? Do what he wants and the keepers of the essences that give them.
Like all those supporters of the cliques, the anger, the club of purity, when they made him the holy grail of Alfredo Kraus, as Galdós, the Madrid-born in the Canary Islands to try to oppose and Placido example. That eagerness to oppose each other has done much harm to the hobby. Why not stay with both? Why not close blinds and defend divisions both in their own virtues and examples of how this city has given the world? Nothing and no less than two of the greatest singers in history.
Kraus, with its rigor, elegance, with its delicacy; Plácido with his gall, with his iron will, his wonderful perseverance, such that a mature age, as he calls it elegant, resisting with good reason to call it old age did hear the messages in your voice and your body and find solutions to continue standing on the stage.
not matter if the price he had to pay was as challenging as getting to learn roles in Russian operas rescue buried in trunks and adapt her voice to an outside frame of mind has done its own term. Anything to continue to delight in the scene at this point. There will occupy its space every heartbeat, has already said.
While this sad time comes, the later the better, every time we go to see it, we must be aware of listening to the last representative of a massive star system, a whole way of understanding art in a way to do, to love, to meet this total entertainment called opera and elevate to the legend.

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and Madrid on the day of his birthday! Plácido

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70!

and well experienced employees.
In the history of opera has not been a singer with a career as large and very successful.

has done everything well. I have always criticized for his voice of "short-tenor", but who has overcome the great singers with treble?
At this point, who does not know which is the best tenor in the world and history of the song?

demonstrate in this life or vouchers or several times that no one forgives you, because ultimately overcomes envy and blind and does not let you see people with gifts of God to be valued and learn from them.

Placi in this blog along with the horses are the absolute kings. Because they are the best and are an example to all studies, intelligence, passion, sympathy, humility ... Are not today's divas are the theaters. A 30-40 years did not have the fame that today's youth have to sing 3 operas well. Placi goddess and have worked over the years his fame, leaving the stage life and demonstrating that the song is very serious and need to know what they sing an opera. Have thought of every detail in the interpretation. And so no one surpasses them. Especially
Plácido, his characters are memorable, because it is also a perfect actor. Gives you no option to think it could be otherwise, does not let you think that was before him another singer who was legendary in that role. Anecdotes about Placi

all know. It seems that your life belongs to us all, and I think that if God has created for everyone. As he did with Mozart. All we identify with him and defend him to death because he is like part of us.

seems incredible that with 70 years follow new opera debuting baritone roles, his voice is still there intact and endless energy on stage. But singing is in the ditch running, or listening to singers in the world, directing theater, accepting awards and honors, sleep? have time to see the stars and meditate? to allow time for your family ?.... It's a special man. Enjoy this great artist, because like him we will not have many in history.





Placi Happy Birthday with the best hope that you continue to enjoy the opera, give us more excitement and surprises.

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Lucia Overview

Lucia di Lammermoor Act I Scene 1

Lord Enrico Ashton is Outraged to Find That His sister Lucia is in love with His mortal enemy, Sir Edgardo di Ravenswood. Scene 2

Lucia and Edgardo pledge eternal Their Faith.

Act II Scene 1

Enrico tricks Lucia Into Believing Edgardo unfaithful. He insists she marry Lord Arturo Bucklaw. Scene 2

Edgardo disrupts the wedding and curses Lucia.

Act III Scene 1

Enrico Challenges Edgardo to a duel. Scene 2

Lucia kills Arthur, she is mad. Scene 3

Edgardo, Lucia hearing has died, Kills Himself.

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APPROVED BY THE COUNCIL OF THE NETWORK PROGRAMMING REGIONAL EDUCATION - SCHOOL YEAR 2011-2012

a plan that enhances the existing, while adapting to the need to streamline financial and human resources, without failing to strengthen technical and vocational education .
This verdict is the almost general emerged in the debate that preceded the approval of the Legislative Assembly of the resolution which regulates the "school network planning for the school year 2011/2012."
" A great work of the Council Commission, began the Regional Councillor for Education, Mark Luchetti (photo) in his speech , Which allowed us to bring to the classroom in a timely measure to the needs of schools for enrollment in the new school year.
The Plan has also been a good indicator of collaboration between the various political forces that made it possible to look ahead in the sole interest of the students, the only, said the commissioner, that must guide us, beyond the parochialism and diatribes of power between small schools and school. "
But the commissioner has placed particular emphasis on non-implementation by the Government of the State-Region in 2004 which confers the powers to the regions under the school reform of Title V of the Constitution.
"long, he said, will not be devolved functions which he is entitled, the region has a power cut in half, because at the end of a concerted planning between local authorities and schools, the act can be enforced only if the school office has a staff numerically and qualitatively adequate.
We decide a plan according to the needs of the area and offers training, but then you have to deal with the current availability of teachers who are gradually decreasing more than 800 teachers and ATA also expected for next year as part of cuts applied by the MIUR.
Here is the node, when we should come to a dialogue that makes planning the the path of secondary education with the University, taking into account the territorial vocations and production processes peculiar to our region, so as to efficiently and effectively connect school and the workplace.
We combine technical routes, professional and high school students on the basis of the local environment, which of course include the mountain schools where is still the problem of multi-classes, well 121, a problem of quality of teaching must be related to the resolution of issues infrastructure, from buildings to roads .

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A wish for a peaceful year

Happy New Year

Luciana